oxedyne/daimond/www/css/lapse.css
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| 1 | /* lapse.css — the in-app lapse notice, and the legal row in About. |
| 2 | * |
| 3 | * The app-side half of the legal work. Its twin, `css/legal.css`, styles the |
| 4 | * documents THEMSELVES, which are shown inside the Web panel's frame and load |
| 5 | * their own stylesheets; nothing here reaches into that frame and nothing there |
| 6 | * reaches out. |
| 7 | * |
| 8 | * The notice sits over the workspace rather than in a panel, because a panel can |
| 9 | * be closed, folded away, or never opened — and a promise to tell somebody |
| 10 | * before their data is deleted is not kept by a sentence in a drawer. It is |
| 11 | * bottom-right, out of the way of the rail, the composer and the top bar, and it |
| 12 | * is bounded: at most two of these can ever be up at once. |
| 13 | */ |
| 14 | |
| 15 | /* ── The notice ──────────────────────────────────────────────────────────── */ |
| 16 | .lapse-notices { |
| 17 | position: fixed; |
| 18 | right: calc(12px + var(--safe-r, 0px)); |
| 19 | bottom: calc(12px + var(--safe-b, 0px)); |
| 20 | z-index: 900; /* under a modal, over the workspace */ |
| 21 | display: flex; |
| 22 | flex-direction: column; |
| 23 | gap: 10px; |
| 24 | width: min(380px, calc(100vw - 24px)); |
| 25 | pointer-events: none; /* the gap between cards is not a shield */ |
| 26 | } |
| 27 | |
| 28 | .lapse-note { |
| 29 | position: relative; |
| 30 | pointer-events: auto; |
| 31 | background: var(--bg-secondary); |
| 32 | border: 1px solid var(--warn); |
| 33 | border-left-width: 3px; |
| 34 | border-radius: var(--radius); |
| 35 | box-shadow: 0 8px 24px rgba(0, 0, 0, 0.28); |
| 36 | padding: 12px 34px 12px 14px; |
| 37 | font-size: var(--fs-sm); |
| 38 | color: var(--text-secondary); |
| 39 | line-height: 1.5; |
| 40 | } |
| 41 | |
| 42 | /* A licence ending is not a warning: nothing is lost, and the app carries on. |
| 43 | A deletion is. The two are drawn differently for that reason alone. */ |
| 44 | .lapse-licence { border-color: var(--border-2); } |
| 45 | |
| 46 | .lapse-head { |
| 47 | color: var(--text-primary); |
| 48 | font-weight: 650; |
| 49 | font-size: var(--fs-base); |
| 50 | margin-bottom: 6px; |
| 51 | } |
| 52 | |
| 53 | .lapse-body { margin: 0 0 6px; } |
| 54 | .lapse-body:last-of-type { margin-bottom: 10px; } |
| 55 | |
| 56 | .lapse-acts { |
| 57 | display: flex; |
| 58 | flex-wrap: wrap; |
| 59 | gap: 8px 14px; |
| 60 | align-items: center; |
| 61 | } |
| 62 | |
| 63 | .lapse-act { |
| 64 | background: none; |
| 65 | border: none; |
| 66 | padding: 0; |
| 67 | font: inherit; |
| 68 | color: var(--accent-text); |
| 69 | cursor: pointer; |
| 70 | text-decoration: none; |
| 71 | } |
| 72 | .lapse-act:hover { text-decoration: underline; } |
| 73 | .lapse-act:focus-visible { outline: 2px solid var(--accent); outline-offset: 2px; } |
| 74 | |
| 75 | .lapse-act-primary { |
| 76 | background: var(--accent); |
| 77 | color: var(--on-fill); |
| 78 | border-radius: var(--radius-sm); |
| 79 | padding: 5px 10px; |
| 80 | font-weight: 600; |
| 81 | } |
| 82 | .lapse-act-primary:hover { background: var(--accent-hover); text-decoration: none; } |
| 83 | |
| 84 | .lapse-x { |
| 85 | position: absolute; |
| 86 | top: 6px; |
| 87 | right: 6px; |
| 88 | width: 24px; |
| 89 | height: 24px; |
| 90 | line-height: 1; |
| 91 | background: none; |
| 92 | border: none; |
| 93 | border-radius: var(--radius-sm); |
| 94 | color: var(--text-muted); |
| 95 | font-size: 18px; |
| 96 | cursor: pointer; |
| 97 | } |
| 98 | .lapse-x:hover { color: var(--text-primary); background: var(--bg-hover); } |
| 99 | .lapse-x:focus-visible { outline: 2px solid var(--accent); outline-offset: -2px; } |
| 100 | |
| 101 | /* A phone puts it at the TOP, and this is not symmetry for its own sake. |
| 102 | The phone shell is a conversation floor with a draggable SHEET rising from |
| 103 | the bottom — Web, Doc, Compose — and a notice anchored down there sits on |
| 104 | top of whichever one the reader just opened, including the very document |
| 105 | this notice links to. The top of the chat is the one region a sheet never |
| 106 | takes. Full width, because at 420px a 380px card centred on nothing looks |
| 107 | like a mistake. */ |
| 108 | @media (max-width: 760px) { |
| 109 | .lapse-notices { |
| 110 | left: calc(8px + var(--safe-l, 0px)); |
| 111 | right: calc(8px + var(--safe-r, 0px)); |
| 112 | width: auto; |
| 113 | top: calc(var(--safe-t, 0px) + var(--header-h, 44px) + 8px); |
| 114 | bottom: auto; |
| 115 | } |
| 116 | } |
| 117 | |
| 118 | /* ── The legal row in About ────────────────────────────────────────────── |
| 119 | No rule of its own. `.about-maker` draws one directly below, and the card |
| 120 | already carries the note that two lines 60px apart read as a mistake. The |
| 121 | body is a centred flex column with a gap, so the row needs only its words. */ |
| 122 | .about-legal { text-align: center; } |
| 123 | .about-legal-links { |
| 124 | display: flex; |
| 125 | justify-content: center; |
| 126 | gap: 10px; |
| 127 | font-size: var(--fs-sm); |
| 128 | } |
| 129 | /* The app sets no colour on a bare `a`, because it has almost none — so an |
| 130 | anchor here arrives in the browser's blue, on a card whose every other word |
| 131 | is the palette's. */ |
| 132 | .about-legal-links a, |
| 133 | .lapse-note a { color: var(--accent-text); text-decoration: none; } |
| 134 | .about-legal-links a:hover, |
| 135 | .lapse-note a:hover { text-decoration: underline; } |
| 136 | .about-legal-links a:focus-visible, |
| 137 | .lapse-note a:focus-visible { outline: 2px solid var(--accent); outline-offset: 2px; } |
| 138 | .about-legal-sep { color: var(--text-muted); } |
| 139 | .about-legal-note { |
| 140 | margin: 4px 0 0; |
| 141 | font-size: var(--fs-xs); |
| 142 | color: var(--text-muted); |
| 143 | } |